Wednesday, April 25, 2012

Earth Day Poem from revised 2008


1

the returning violence
and re--birthing,
of new worlds cycling
the wheels and wheels
and recycling circles of

hell and earth
all extensions to heaven
and around
he shivered, he heard a rustling
there in the aspen woods

as he painted that light--
he didn't often talk
of that kind of light
on the trees
the yellow gold,

shimmer, shake
a shiver
a daimonic eruption
allegory of otherness
slipping through

in transparent mirror
the cycles
showing each in turn,
the nothing--
arriving to a surface

reality represented THERE!
THE REALITY
Here, felt it,
the older god,
this recognition--Ha!

the bird flutters
and lights upon a branch,
there—



2

the stars revolved round
even
behind the blinding blue
movement, signaling change--
how can the earth be whizzing
at 23,000 miles an hour

the spirit that occupies everything
SOME WHERE AROUND HERE
another part--
wind in the hair
"no clouds in Monument Valley today"
but still as he said


all those times before
"beyond remembering"
the splendor of--
Koyanisquatsi blaring--
there are more lights all the time


the dogs barking, all night
the something off in the darkness
bringing back the boon
they keep him awake
now coyotes, join in
night journey

but the, the making
and, life
is just as mysterious
as death--THIS NEW LAND
made new--New
Orb Aloft!



3

the old sun and stars

the planet on the table
the earth in blue spinning
sun, stars earth, revolving
the parts, that whole
feeling

in the studio
he kept coming back to
that tent idea
black drawing into idea--
the shield
red and yellow
Buddha colors
ideal beauty from death

the idea, beauty, order
all this as an after thought
"a poem" he said
and backed away
the studio-- red,
red reality
he was talking of irony

presence and absence
da forte
a copy of the original
all sounds like, evasions of

--god, again
or reality, big
deal just everything there is,
out there thrown in, to--
definitions crumpled up

thrown in, to--
all a good storyI
HOLD THIS fiction UP
AGAINST MY DEMISE--
that is Eliot,
he was just going to say it simpler
his lie against time

a shield
going back, laying out
the string
back into
the death like dream
and seeing what sufficedIT

to keep one there
a SIMPLE surface
maybe diamonded design
what we called reality, to be
an adequate, representing--
the building is underway
"THE new TEMPLE,"
Jack laughed



4

they were of the earth
he loved

packing the truck,
carting it away
WITH hired hands
art is what’s underneath
that irony, thinking he sees
his life here
at the crossing--

New Mexico border

scribbling life’ on dashboard
through Virginia, Tennessee and
Oklahoma
into New Mexico

he said to himself
that he was doing the right thing
rolled up paintings
like dead bodies in the back
he thought of that time
carrying them up the stairs
at 68 Jay Street
THaT different war
its like a heaven here, maybe

he was gone,
gone and gone
arriving to these clouds
"Crystal sight,"
he'd remarked before-- always did
arriving to these clouds

Monday, March 12, 2012

revisiting Clouds, leaves, waves.









The following drawings were made in preparation for the publication of Clouds, leaves, waves., they are dated 1996 and there are differing sizes in 5 different sets, they are different media as ink, and flash acrylic on arches, also pencil.

Clouds, leaves, waves. 1992






1992
The Villa of the Sun
The Villa is in the setting sun.
The sublime comes down, to this--
a blank in our eye, 
refusing.
a cycle of frescoes
the remembered pieces, in broken 
thoughts...
the sublime comes down--
to this
bread 
and wine, a few scraps scattered
The seasons of an idea, the weather 
changes, a different mix,
off into the distance
Haunting memories of
Pompeii, in the sun
(a certain quality, a special red
pigment fading)
reminds one of
our loss


 of the sacred.




flaking paint, the grey grid 
restored, then disintegrating-- 
the fragmented broken pieces.
The hardened crystal, signaling
some Supreme Fiction!
drifting, beyond 
to be created anew, Land for Sale!
maybe, go out ‘west’--
Crispin sings the credence 
the moment 
somehow grasped!
the very sun’s extinguishing...



Sapphires flash in the central sky,
An affair of places.
Out west, start over, having failed.
Needing the sun out west,
I think I’ll go out west.
Getting out of the car to make a picture of this.




The degeneration or heightening
of a thing, to a metaphor.
A distance from immediate hope
of being-- in the moment
The crystal seeing-- 
the being in the sun, experiencing
the things as they are--
heightened-- through thought
then, the realization of loss
and wanting to build out of memory
a revisioning, ordering, abstracting --
From what is always 
    changing, dying--
that abstracting distance 
from any original.



Shade toward a dreaming, the floating idea
to be rebuilt, (the Villa idea)
refurbished in some mythic distance
Love, is a yearning 
to be one, 
with a separation we feel
we are fallen from,
a search for connection,
forestalling death, loss
between ourselves and nature
a hopeful reason, for Art--
In a whirl 
a rope, swirl
   pots, the flowers burnt in the sun 
swallowed up into the sky
a grid appearing, the wall flaking
crumbles, starts to fall--
   fail
A fiction composed upon the wall.



The wall breaks 
  loose,
The space opening--
LOOK-- alone, shh!
there!-- 
a ROSEate Spoonbill bird Ahh...!
My fellow, a god to me!
Absurd!





A mirror. I look into
realizing 
our endangered... minds.
How dark we have, become
It’s late, we’re naked and 

We have no home to love.




in a paradise, we’ve lost
there, in the distance--
A desire, 


At this late hour.



Clouds, leaves, waves. 1991


1991
The Singer of the Sun
the waking surface of reality
stain
reaching
toward a surface.
in some transcendence felt--
Our mind’s shape
structuring language,
painting, a stain--
toward a surface, becoming
song of the Sun
blinking, 
a thought 
brought into an idea
held up to the sun
then, continuing a circle--




4.
The Romantic campaign
enacting a horizon.
The heartened hero’s tour
bringer of new reality.
You presented to me, you--
You, fish-shaped island,
Paumanok.
A flower, a shell.
suns and planets
life and death.
a world, revolving-- objects
past and futures
constant merger, into day.
leaving down a fairy trail.
dreaming the earth.
unequaled poet, 
the supreme lover of the earth.



We exist in a dumbfounding abyss
between ourselves and the object--
this is our un-navigable sea.
The poet in the sun, 
the central poet
I and means kind-- human kind 
heightened, a Supreme Fiction, 
noble rider sounding words,
the Real Me in the sun
reclaimed for earth, 
music of the things
a part of one’s world,
16.
The giant, the hero revealed 
as we, the Real Me, the Imagination--
the other self strolls,
Painting sunflowers,
rereading Van Gogh’s letters 
(Vincent was reading, Whitman
as he painted starry nights 
and sunflowers by day.)
Walt wrote poems here by the bay
where sunflowers were painted,
Vincent and Walt, singing and 
drawing by eye, 
planting sunflowers, the way 
across America. 
My Barcelona Neck, ...land for sale.
26.
The trouper, afoot with fancy,
diamonds glinting, jangling bright
the Big Dipper climbing 
the hump of Barcelona Neck.



What wine does one drink?
What bread does one eat?
shells are strung on a rope
gathered at the shore, 
stringing together, 
picks up a shell, arranges a flower--
staring at the white wall.
this still life, altar of flowers,
finds shells on the shore, 
reads the poetry of life and death
in the sunset, red, passing
how does one stand to behold
this simple sublime, descending--
red reality oranges, greener grass,
purpling clouds to black
idea in summer.
The poem, the self, the same
passage into Autumn
into the Sun itself.
Arcturus blinks.