Showing posts with label #6. Show all posts
Showing posts with label #6. Show all posts

Sunday, January 12, 2014

#6, He’d filled it uP.

#6, He’d filled it uP.



and cringed 
at the sharp thought 

of that extreme, 
jerk-- 
would be and so far
from the form 
of Tom’s white fence, all slicked 

and new in the Summer Grass 
gleaming Green 
and that it really would turn out 
safe in Texas, 
safe as Texas, 





17.
safe as Texas in Texas,
David’s father would always be madly 
in love with the eaRtH
magical wand of 
Presence

here, and 
Gone-- Fort DA!
everything is somewhat 
the same 
and 

floating in Heaven 
of thought, remembered
in a dance in firelight
origin and 
Time lapse of-- Bang! and 

the evolutions 
towards our own moment
all crashing 
in a rapids of river time 
up over and down
Really explosive 


time a continuing Big Bang!
so why did Jack think this rough exaggerated 
approach 
worth the while, 
the style

Crispin liked, seeing how it 
was all hammered together.
organizing the content of 
one’s life in a form which
related.

skipping along, keeping aloft 
on the peaks, the stones slipping
away falling to that dangerous 
Mother gulping 
after formlessness,

Cythonic woman of Eternity,
stars behind,
stars ahead.





from now OnwarD!
New Reality! HO! HO!

revolving around,
back in the library, Jack 
was making the plan.
He hurried
that mad woman gobbling 

up everything.
the painting tumbled around in the 
stars, upside

21.
down, this version 
doubled again in the stars
a dick face and a fuck you 
had won the day.
Jack was on his own 

in the desert
this hero in the library was 
an old man’s game
but then my hero
the garbage man 

of the world
upside down world of mysterious 
rustling
leaves, that passage.
Jack had thought of it all 

many times over, and around 
and it changed slightly.
he remembered the blue hills,
it was different than 
he thought it would be

it was late
the yellowing sky, scattering 
slate of cloud
snow whipping at the very height
jangling diamonded light 






1.
Stars aheaD.
continuing, snaking, New Poem.
I did what I could do, they 
were all left locked up in the barn.
I had to make my way 

forward 
before i lost my way
the snow was deep and the pipes 
were frozen,
the tracks were soon covered over,
the shadows blue

lenghtened into stripes across the way.
Blue stripes.
the light turned
a vertical thrust towards knowing
repeating enlarging idea

even here in the cold there 
was a numbing naturalism
he was reading the book
the cracking made them turn,
falling from

It took Jack back 
to the Massacio’s
tiny figure 
with his hands in the fishes mouth,
the gold coins spilling out.

A strange thought in the snow,




the S of the swan in the reeds


2.
creating the language
blank in the reeds
the paintings were piled high 
against the sky 
He drew the little drawing.

seemed a competing image 
to the one in front of him.
compounded in his mind,
the earth was being destroyed 
it’s order and beauties 

we were guided by
loss and why it was 
being destroyed.
Henry and company were Burgers 
watching on, silent going about 

their King-ley, ways, LosT
they were part of the Hollow men, 
some one had pointed out this 
direction before. 


#6, Back 2 the Studi0

#6  Back 2 the Studi0





1.
Painting’s death arrived 
once more, with each announcement
It was we 
who were dying
The, what that suffices, 

back in the library
asleep, through the years, 
revolving
stars turn 
dipper dipping

all forward motion, it seems
can't step into the river twice
but if one ran far and fast 
enough ahead one could 
see it coming

his, dreams in white shapes
he’d seen before
in deep space
reaching out and taking it
for mine

those dreams far away
those paintings-- dead
those sun flowers-- waving
those, something over 
the western mountain


2.
the rainbow--
bending
he was on track again 
in the studio 
that was all that mattered

he was adding paintings 
to the pile that yielded--
he repeated, but never repeated 
these imageS, like yesterday
today, so that they-- 

embedded-- he drew 
automatic like
became his soul’s world
knew them by heart-- 
he wasn’t sure if the corny, clichés 

sounded like archetypes
his own, 
hardened, images
OF CHURCH
well, he knew he had to go on

bending them to new shape
those painted in Madrid 
they evolved into 
the distant, sun
maybe too exuberant


3.
falling in flame
untitled:
in the stars
the ship in the night 
massive, dark 

silent slivering, that Greek 
severity of line
history's weight 
of wrong--
Short shank-- 

was light weight
even
a little carried away--
prone to, to become 
well, transported!






13.
thoughts all dressed up
and striped, evolving
having decorative effect
the story flying through, 
at right moment, then gone--

BIG BIRD flying through 
his story 
David’s small birds
repeating, it all, becoming more
and again through 

the repetition 
ritual was his religion 
here, in the studio
any home he had
was here, he chanted--

the square DEIFIC
he drew the distance there
this head floating
in the landscape
this landscape of thought, floating 


his drifting ideas
through shells spiraling 
through clouds, leaves
stain of ink drip
blotch of color, bleeding


14.
the waves
the wind-- it roared, it all changeD
the moments vanishing
all the poetry through 
new combinations now meeting

the old-- become Art in
a big smear of paint
the ruined truth at his feet
he looked into
the wind, returned

and he saw the future
continuing 
one continues
he thought he’d reached a limit
of his vocabulary

and thought
this repetition
that is ME, he thought
the limit, in that death, HE!
I’ll make something

out of it all, determined--
that tree in the mind
that center of the earth
that nature out there
the object


15.
of many
realities sought, in that Tree
out there he said his mother, 
called it the old rugged cross 
all that she left

he was near the end
he just wanted to toss
It all, never 
got close
repeated 

what he mimicked
from elsewhere
no—he thought he was getting there
somewhere
like he said to me

here and there
can’t name it
its there
the Genius
in the mountain

or under it, the land
the vision it offers of breath
and the whole cycle, they thought once of 
what was America
and what it reflected upon the figure



16.
that American place
that snow blowing
up there
that orange Square
ETERNAL SHAPE

Sacred height
THE repeating epiphany
and falling,
sink— the blare of horn, that
red sky repeating


17.
the sneakers banging around 
the dryer to spring
the saints relics all neatly folded
his life, he muttered
the cracked painting

some scene
with the butterfly net pursuing
the beauty, the path--
beauty on the right
a tree on the left

the mountain ahead
the sun
ascending
to height--
the beauty 

you get the idea, right?--
the stars, repeating
revolving through
and down
he was back at the 

supermarket checkout
flipping thru calendar pictures
the fashion magazines,
Cowboy Life,
he was talking to himself

18.
I mean, he started to say--
Well, it went on 
that was the poem
meaning how it went, it 
was like 

spots of time
all lined up
reflected in tranquility
how to turn it to the inside 
there an eternal hum like resonance

being here 
that always new
new, he had to throw aside 
it was all dead ends
he just forgot it all 

the next morning, in the oatmeal
that thought-- streaked 
across the sky
fell to earth
the boredom dissipated

he was talking about gravity
the seasons coming round
there was the physical 
proof, science
everyone is reading, Evolution

19.
Darwin they said got it right
one sees
red and yellow diamonds
breaking into black and white
a crumbling, 

this fallen state is history
fall into history
out of the symbolic
the symbolic, Orange height
back into a descriptive history






Tuesday, December 17, 2013

#6, 1989 "...surrounded by choral rings..."

#6, 1989 "...surrounded by choral rings..."




10.
Telephone poles march 
down the road, into the distance.
Grackles, flash up from feeding.

Desiring already, again
to put it all together,
some order
to that moment, seen.

A clear
moment
in the flower,
here!

a gross being alive
a thrown wave, 
green and warm--



22.
Painting this still life,
the shells on the beach
the sunflowers against the sky
a rope weaving circles to bind
a candle as time, a knife 
slicing the space through--
a bucket like the universe’s vessel
a little boy peeing in bronze--
the vase, friezes all of this
in the failing sun.

Clouds passing overhead
the narrow islands weather,
the difference between 
bay and ocean mind,
bells ring on swells.

Everything is broken,
a man in black turns--
washing my brushes, “I’m done.”
the reeds 
blaze red, in silhouette.


I  found as I painted a still life that summer, that each day the lily died as another bloomed each day. This direct experience of cycle lead me from the inner black and white to a door opened onto the outer world once again. I became interested in that transition or juxtaposition.