Showing posts with label #7. Show all posts
Showing posts with label #7. Show all posts

Sunday, January 12, 2014

#7, He’d filled it uP.

#7, He’d filled it uP.




and goings on the NEW 
WOrlD, worleD, twirled
flying rushing thoughts

It’s ThE EartH, StupiD!
turned round upon themselves
turn, turn, turn
Sometimes I like to paint
the scene in front of me.

Sometimes I like to remember 
the scene, and simplify 
the arrangement 
things in the Imagination.
Jack thought there should 

remain some reverence 
he, Jack, Henry, and the Company
had all--
struggled beyond, some failed at this
The Henry’s were struggling 

behind, 
Jack meant,
how could that foolin around 
out there 
get us any where?
well Crispin was way beyond 

A job-- there was none for Jack
He would write his nonsense trying to
spin it Rumpilstiltskin like into goldlike, 
sense but 
not the green cash 

4.
you have in mind
you had forgotten the real gold 
in this metaphor,
a meta beyond,
and you don’t believe in beyond,

the doubling otherness of every idea 
in heaven of our thoughts
Heaven is ok 
if just here in my mind 
under my mountain.

Just don’t make any promises





by the fence post,
 in the milk weed
the ole weed around the 

cycle, through a sublime 
moment in the sun
just the thought is sublime itself
and dies
as our saving-- 
self

in the sunset promising 
at the very least 
tomorrow but then Jack 
had his poem to take along and 
increase that chance of any hope,

this was for you, 
Save Yourself!
back to the dream and 
lowly beginnings
the leaves 


6.
were blowing in the shopping malls 
and corporate headquarters
and here I am in Kansas, damn!
I have to get this right
each revolution 

had to increase, Jack felt 
he was spinning, 
not just his wheels and 
he liked the spinning idea 
of the earth, and the spinning 

of everything else along-
He was driving 285 
south from Denver
this Hero going his own way--
that town, that city, that urban affair

hid what he came here to see 
that diamonded 
clank changing chance 
crop, fragmenting--
big idea! dying 

before it had any chance to be
TruE
They thought they needed more
  guns, Jack wrote on
his horse sauntering

in the whithering sage,
naked on that horse 
with an older god
out there
he felt he was the very earth 

7.
spinning, 
floating in his oasis 
of thought, Jack thought, 
“ I am it, it is I.”
Achilles took it apart and 

Crispin was wanting 
to put it back together
figuring out 
what it might mean 
realizing as he wrote it meant just 

this, and why Jack kept on
It was good just going 
to the hardware store 
the mountain clarity and 
snow on peak, blowing

he remembered the prayer flags 
though he had disregarded 
the warning of bad luck
Jack was the hilarious fella,
extreme in the page.

a little poof, or puff--
Prophetic intention.
Looking back on his City
his Bridge
talking about the weather

the prophesy 
Crispin kept to himself though
you might overhear him
out on the edge of the Village.
The real Apocalypse is no Apocalypse--




Why? is it yet unfound--

The Earth creating itself, 
we all, in the stars revolving
City and Country disappeared
The sunset painting into violet
color and MilKy Way

into Sunrise
the cycles circles
and Universe and
moments between
the black 

and the white
circling
all passing, revolving
here again
in the stars

Jack stood there in disbelief 
Achilles looked at the towers
Crispin looked at the Aspens
They were jumping out of the building 





Gaia herself was putting 
it all together into a spinning 
One thing
we were mirroring 

what was, 
in our minds what we 
comprehended even beyond seeing
our thoughts were the 
characters, for this constant 

narrative unfolding in our heads 
a hall of mirrors 
reflecting to an infinity
all compared to ideals, and 
dreams of objects that

may or not be,
Jack was seeing that this 
structure was a preoccupation 
beyond the thing, 
where it fit 

in the whole order.
Leviathan diving and 
surfacing in a rhythm,
seen in the stars.
Even the Bang! 

One.
Surface 
we name ourselves --feel 
attached to
getting a glimpse







he enacted the change. 
He pursued and never let up.
So you might not like the square 
blocking 

what you thought to be--
to be out there
it was Heaven really
why should it just be handed to one?
Maybe the Bang! 


15.
and a turning--
Crispin thought the differing aspects 
expressed it best and none 
were perfect or ideal or 
transcended this process.

Jack thought of this 
entering the west 4th Street Station
he had a pocket full of drawings 
Subway drawings 
they kept this thought present 

and he felt a bit of a sage, 
that meant crazy mad,
Prophetic

Just what was there, he saw.





#7, Back 2 the StudiO

#7  Back 2 the StudiO 

COMING forward

the clap of hands THE TRUTH 
he felt the, THERE!
it was the spot 
in time, the stop
THAT LASTED

the red and yellow shield, the--
most people just feel this or not
he shrugged his sholders,
THE STAYING POWER of--
but he remembered 

how he had learned it
seemed it was in the language,
it seemed the structure of his mind,
change and evolution
death, life

back and forth, this
keeps evolving
he didn't want it to get old 
and rot
like the squash, the POET described

22.
sprayed with frost
he like the tumbling effect
nature of it all
being in the city
in the center of thought

deeply planted 
in this different garden
not that aimless type, he was yelling 
to GET OUT 
OF THE WAY, you tourist!

he didn’t think, he could paint 
them any better
Jack needed to back off
not to finish them off
he wondered if this height

of finish 
would be prelude to 
Road Movie, and-- fall
to, jump cut
and crop

blow up
a funny irony
distance from nature, he complained of--
what was really, 
going on? REVOLVING CYCLE

23.
running through, 
here it came
the overlapping
out of order, stuff 
blocking the landscape

he saw it 
in the contemporary
squares of signs 
the ovals, the triangles, 
lines drooping

from poles, drawing, he thought 
THIS was ALL in the way
he didn’t want to paint it--
didn't seem to belong 
to the imaginations 
ordering,





revealing
larger whole
all the broken --curving
parts
outside of view

yes, OH MY!
to live in eternal time--
THE TREE UP THERE
on the mountain--
he would think about

that on the F train
eternal art repeated
some essay doomed
Orange square over THE 
top

of everything
obscuring everything
blocking, everything out
yet, strangely revealing

25.
he said, the crows 
outside, calling-- 
its October and the cool 
signals the Autumn,
he would speak 

with the authority of knowing
Knowledge, seemed to be, of --
wisdom a realization of 
limitation
beauty, no doubt

Damn--
this is sloppy but then 
like flung paint
how he loved 
the leavings of 

the paint, the abstraction 
or other reality
of it – 
keep to that surface
he remembered that leaf emerging

from a final surface
alive before-- 
it became wooden
DECORATION twirling down
two squares






the piles and stacks
house and universe,
hidden beneath, under 
a lagoon like stripe
that blue figure, was stark

fierce, THAT WORD
...like the leaves themselves.
SURPRISE
those sunset colors
into violet, then GREEN

packed them up 
into his head each 
night as he fell 
to sleep through the stars
they led him

27.
unloading them again on
the train rumbling 
in the little drawings 
repeating and
afraid he was going 

to wear them 
out, in their goings over
Well, back to the studio, he said 
he had to get back, to it
he was telling me, he said

he'd been out there 
looking for refreshment 
for his art, and now
he was back, back to the workings 
in the studio

the real work was 
answers are in the work 
the process, in his head
"all there is"
this poem is part of

that inside, of the work 
speaking from there
sitting there in the library
that’s better
but he was still far away

28.
he'd know when he was back on it
like the old days





the nerve of her!
telling him the truth, he thought
all his self consciousness

So Much TALK
all his ordering 
she called Ideology
he wasn’t sure
but it led him back 

to look, the studio 
you see he was a painter
"its all about the paint"
we work with all these extremes
then you have some meaning

the two and the one
the whirlwind
where they meet
be brave then--in the studio 
he sat there writing

he sat there drawing him, writing 
he sat there writing
some communication, obliquely
destroying and recreating cosmos
the hierOphony

30.
revealing sacred illumination
infinite over and over
"this descriptive world to 
trope," He thought 
inward, through mythic 

road
then dazzlingly! present
world making 
formlessness, to
the returning

violence 
re--
birthing, of 
new worlds cycling
wheels and wheels

circles of hell and earth 
and extension to heaven
he shivered, he heard a rustling 
there in the aspen woods 
as he painted 

that light-- 
he didn't often talk of that kind 
of light on the trees 
the yellow gold, 
shimmer shake





31.
a shiver 
daimonic eruption 
allegory of otherness
slipping through 
in transparent mirror 

the cycles
showing each 
in turn, the nothing-- 
arriving to a surface 
reality represented

THERE! THE REALITY
Here, feel it, the older
god, this recognition--
ah ha!
the bird flutters and lights 

upon a branch there—
the god is
Dionysian release
light flicker
divine speech, being gripped

by new man
repeating
I’m in this vertical world
alive to night of symbols
shamanic leadings

32.
that moment we knew 
then fell from
the carnival 
at the end, opening 
on eternal time

through unconscious repetition through
archetype
he was creating his own sacred 
time
he guessed it would all be tossed

soon enough
phase of the moon
eternal merging 
into a mobile--
mobile home, door banging





of this studio return
colors of grey, white, and tan
a shadowed porch view
garden walkway
his, Orange Square contained there

33.
a temple to that moment seen 
Yodeling at this mountain height!
through abstract gods
beyond communication 
commemorating

his ship was turning
and the winter melting and gone
he was arriving
it looked like another war
couldn’t escape this politic

like the bad old 70’s again somehow
trying to paint through it all
the black is coming on
the Studio mind-- 
with this big hero painting

within modernist architecture
of considered-- walls! 
its spring again!
drawn from the imagination
trace it over

a romantic line, trace 
image of an image
then that different, exactness
ROMANTIC TRUTH is that it?
what of a blue canvas with 

34.
a orange square --forgot that
some drawing in the blue—
deeper, to make a space





studio WALL

37.
red WALL paintings tumbling
in swastika like Indian fashion
day night, day night
day month, day month
day, year

year, life
words, word another life
into the second world 
a rabbit hole entry
studio mind

archetypal house
escaping figures 
thoughts scattering, fleeing
light, burn it down 
in frenzy of youth

house blown apart, the 
leaves blow through
clouds in time lapse
ocean wave tumbles
to perfect shape

he was trying to get all 
the left over parts of all those 
years to come together 
into something
he leant the painting against the wall 

38.
shuffling and reshuffling
then, like a game of life
is that it-- the mirror
the lamp, there, 
that whole feeling 

there a part, inspected
of a world
--and that’s what he'd been 
wanting to say 
"the form between things"

a world flying through 
the stars revolving
THE STUDIO, it mirrored
this mind
in space

"Ariel was glad 
he had written his poems"
at night in winter
in the night studio
THE WESTERN SUN, 

western sky, he meant
the western distance 
that future sky
ever turning
into season

39
direction and 
skies, he didn't care
the distance and death
in the trial
of the landscape

he was dismissed
for the thing itself
he was straddling a line
a life, all this extra crap
sticking out

pilling up the paintings
this distance he folded it up like 
a newspaper into his overcoats breast 
liking, this combination
recombining





cartoon symbol
endlessly, mirroring

I am, that is, I am blank, 
that GOD the rock, is 
in between
is 
of course, Jack was real

the rock was real
stabbing in between all 
the fingers was real
this knife stuck in his hand was
REAL

REAL
he painted, he painted
all he had at the moment
cycle-- if he was dead--
Mir-ac-le-- Mir-ac-el

42.
bang!
the big orange square
would be the monument
more than a just nuanced flavor
it would be-- NOW!

see, one would see! creates the
NOW!
in icy barren snow
that abstract 
severe word, Heaven

in clouds the rippling up-- 
of THUNDER head
rumbling, F
static rapping in headphones
like train, ti dump, ti dumpt

visible graffiti
eating away the foundation
like the moments lost
slow motion nodding 
out, he was sitting there reading

Themes, 
the mysticism in--
all about the romance quest 
in a thought-- like here what Jack thought
the mirroring mythos,

43.
the seasonal--
height and depth 
achieved and reconciled
it was just a theory of life
it just was

He could see it
the rapping earphones
we all stand by irritated
the other guy chanting 
something from the torah

all revolving
Yeah, he had it all figured out--
yesterday, it had even 
changed his irritated mood
he was moved to elation

HE had FORGOTTEN, THE CHAOS
newly ordered, he felt
a fresh-- a brand new 
knowing! his purpose!
and now he had forgotten-- just what

exactly it was--
his thoughts fell
through, and down 
through all the tumbling
images

44.
searching all over
through the paintings
it was there somewhere
He believed it!
all these piles

a life,
the photos he took
proved it! not wanting to 
forget or to lose, the old BIO stuff
like a review,

what someone else thought
that, old studio
he was trying to put it 
all together as-- he didn't know yet 
what--hope, 

its not the nostalgia
for that mountain? or just following
some IDEOLOGY!
or is it the reality of those stars
the object in space 

or the space itself
or this modern, doubt 
of illusion
doubting realism
paint a new reality instead, 

45.
he said
or descriptions of a, environment
there intimate and then 
with a second thought or revision
some, heightening

to some abstraction, or perspective
seen, taken apart-- formally
the shapes and the colors
line representative of
or in themselves, interesting

he didn’t want to forget the Tree
didn’t think Rothko 
wanted to forget the
Myth, the RED