Showing posts with label #8. Show all posts
Showing posts with label #8. Show all posts

Sunday, January 12, 2014

See He'd filled it uP here: http://hedfilleditup.blogspot.com #8, below



See He'd filled it uP here: 

http://hedfilleditup.blogspot.com







#8, He’d filled it uP.




still dragging Hektor by the hair
around the arena, 
except for the meaning in the word,
life had been such a glut
trying to be beyond 




17. 
that weariness of the next,
walking Jackson’s beach
and it was strange
the real rag weed there in autumn
sun setting on Louse Point. 

He bent down 
and the crickets became large
and the noise deafening
became the stars and 
the crickets in the grass

blared Pollock’s tinny voice 
saying, “ the Maud--ern artist--”
Whitman would hold his own,
Paumanok, Heaven
here in the rustling long lines 

vanishing--
the hatch and over hatch
the cricket--
the aurora of the ever flashing
mystery, the net

over everything
flavoring reality
the gems of the moment
flashing





at Mountain height on his Box.


18.
His arms upraised 
He felt alive
the overbrimming ideas that 
came from following the orders
and the side road’s 

meander
the drawing recognized in a dream
drawing everywhere in the Subway--
a language developing 
in hieroglyphic form

might well speak
what was this reduction saying
he tried to protect this radical from 
decoration, that’s what he 
meant by the tourist

how could they do that, 
weren’t they worried 
by the square miles 
of dead trees,
a part of ourselves





a cycling then
as it falls
comes round

a necessary
fragmentation
a beauty
in the system
the beauty of it

Crispin said,
Yes, it was enough in the 
field catching the butterflies
though it seems a joke to Jack now
at this embarrassed distance

We didnt do enough,
Jack packed up the paint box
that bird at the top of the tree 
grasped that moment
and it did-- all exist, turning

to Katsina Face
Picasso owned
he was there at Chimayo too
copying the Christs
he made Gertrude from that

Jack wasn’t sure he ever would
she never sat still enough 
Crispin thought the landscape 
looked sad
there is a strange silence


20.
in that heat 
the thunderstorms rumbling 
still far, the lightning 
in the darkening sky.





silently skipping

compared to that memory of Susie’s 
snowflake in the air shaft
a bluebird flies through and
a leaf twirls between fingers
amazed

these metaphorical gods 
all Crispin had-- or wanted
ThE BluE GreeN OrB
what more?
in the eternal zooming of space

racing ahead to look back at the 
steady blaze of exuberance
here on the edge of wild 





Jack hiked up his pants
His soul

yet undefined like a poetry
comin’ by in revolution
slow and speeding to perihelion
gone and into stars
He still liked the idea 

of golden future an ideal thought 
before a night of dreams 
rising hope of morning
one more
Summer moment,

image or metaphor 
to compare to the low setting sun 
each day, was enough




it’s own memorial


3.
Jack was reading 
of the shaman skipping 
and jumping, across vast spaces
to Siberia and back
over the positive and negative 

magic of pottery shard
labyrinthine maze of life it mirrored
spinning mandala
You have no use for.
This is, where, the, serpent, lives.

In the constellation turning above 
in the dizzying moment 
of thought turning
in the green orange purpling
to dark

Vermont was green hills and 
black eyed susans bobbing
Jack saw Alex everywhere
the black tumbling water
Crispin would describe it 

in a similar language
he was from the same place
and interior wood





RoarinG 
through Kansas 
the ScareCroW crossed his ArMS 
pointing every which way
Jack was making it all up

He wasn’t even sure if Crispin agreed
knowing damn well Achilles 
certainly would not
he was still still dragging 
his foe 

around by the hair
he didn’t even know why
at this point
it was the Rage
at his own death

ahead on this 
wonderful road 
he saw that
the cool air,
Childlike Achilles





ideal, 
Jack guessed 

was the flOweR
PrizE, 
how he kept on
the profane having turned 
to the opposite

garbage metaphor 
standing in for
confused time
it is all guarded by a copy 
of ourselves!

the minotaur 
out to destroy
he is us
he creates and destroys
our soul to keep

the blank in our eye
black and white striped 
whale descending 
and through bubble wake 
ascending to poof 







in Sun
and flower motion 
and golden-rayed flowers
and distance from flower 
to ash, and night

and day, were and will be 
the WorldS
back around
like “the EartH  
from space.” 

spinning 
circuit, turning
SurprisE and ExageratioN
Pleasure in the AbstracT MinD
and BeautY, the Black and death 

and WinteR mind of
seasonal Mythos 
explaining this
Change which equals 
our own--

and reconciling, 
these opposite colors 
of Black and White 
and pigment paint--






Jack as plain as America,  
presented itself, and
made a World.
It would be enough.
The Earth.



#8, Back 2 the StudiO

#8  Back 2 the StudiO 





Fish-earl and Picasso, all the books 
packed up, the cart piled high 
traveling down the road 
the paintings, bumpin' along

he mostly tried to stay in the center 
in the sacred center 
the tree out side, the prayer 
flags offering a flavor of--
at the height, when he felt off--




1.
the Outside world, what was out there
the window of his 
workshop, it would bring him back to
a center
the secondary realities--floated

Back 2 the StudiO, was 
what he was trying to say,
he would organize it all 
there so he could see it
place himself in the middle

in this, his story 
like with stars out there 
for walls 
no home, with no flowered couch 
but stars

no football game on Sundays  
just shapes 
and a palette of color
against or for the-- 
only comfort, in the stars!

the truth was he created them 
to suffice--
this fiction,
his structure of nature
his unbounded gods of metaphor

2.
The Road Movie 
was JUST LIKE LIVIN’
how he saw a everyday world
the wind blown mysteries
Nietzsche, in the desert--

train, coming home
beyond the land
there was a confidence 
in convention, of course
tired of the black and white slashing 

through still signaling --the flames

a possible
re enchantment of this self
a simple mysticism, reaching
of this man on a mission, 

a simple 
ease of arriving to-- 
Commanding  
“loose these bonds 
I tell thee”

the wall unmoved, 
like the aspens
still standing there
in sway--
the national myth 

3.
seen innocently 
in a dream of youth 
through Piero d-e-l-la Francesca
tumbling
through common belief

the old cracked wall
VILLA WALL
red reality
the color we copied in Pompeii
it was the endless evolving 

conventions
of realism that seemed 
valid or real in itself
with out it there was a gasp!
but like God in Russia

it went on, we went on 
and better for it
making it new
this distance, still, this 
always seeking, height

this sublime,
in the cycle, in it-- all
this height, maybe just
a part? no, that OCEANic depth 
death, the father

4.
the whole contained, 
in the the mother's face 
continued in that shape





that intensity
if, gaudy Sun
AN IMAGE TO ABSTRACT

EXPRESSION
out of the shadow to press forward
to extreme--
he was out making a ranch like gate
and the plans were coming along

going to meetings, at the bank
checking with the contractor,
he liked painting up 
there in the snow
a blue bird just flew out 

8.
just as he thought, "this was 
the extremist moment--" 
she said,
"flew by with the sky on it's back"
gliding free

exaggerating his feelings
that curious bird
wondering at
amazing clouds
zipping fast at that height

the wind began to howl, 
it always did
such beauty, 
makes one a bit anxious
and a bit of a weight 

to push against
or maybe just the amazing
beauty, at the breaking--
a fear felt at, 
most intense blue

and impossibility 
of capturing
ones just passing, through 
he made that  painting
IT DID seem to nail IT down 

9.
having been there!
in that ANXIETY
you know--that fear,
proximity to-- made it that more, 
BEAUTIFUL





a blue bird 
there the god is
flying through that formal 
moment in the sun 
the painting was coming 

out right, after all
everything just right
repeating it
those right moments
questioning?

This old rough, Walt--
enthralled--I had to stop 
to pick some flowers
I saw coreopsis it 
turned out to be--





11.
SOME called it COSMOS
poor purple clover 
besides 
it was summer and he was 
that character

in the painting, representing-- 
he was driving West 
into the transcendence, 
seemed in that elevation
he called it, justLY

the naming is decorative
he wasn't a poet, 
it didn't matter, Existence--?
that was the magic
what ever being WAS 

an artist WAS in those days
finding a flower
relating it to more
all beyond he guessed
but he was right here now

in the Poke weed
his descriptive plain air--
was seeing the change
the beginning of myth
the change







Thursday, December 19, 2013

#8, 1991 The Singer of the Sun

#8, 1991 The Singer of the Sun



You presented to me,
You, fish-shaped island,
Paumanok.
A flower, a shell.

Clouds, leaves, waves.

Red and yellow diamonds,
a dazzling wayfarer
on a romantic voyage, through
suns and planets
life and death.

A still life representing
a world, revolving-- objects
given meaning in their use.

Shells, Sunflowers, Vase.

The diamonded acrobat.
The shells are strung on a rope
gathered at the shore, 
stringing together, representing 
universes of circles, and 
the patterns of design,
in broken moments, 
strung to bind
death to life, 
juggling the cycle’s circle.

On the beach, barefoot
the perspective lines sharpen--
to a blank, blinking
the wanderer turns, on what?
picks up a shell, arranges a flower--
staring at the white wall.

The Knight of the road, arriving
sets up this still life, altar of flowers,
finds shells on the shore, 
reads the poetry of life and death
in the sunset, red, passing
“...no man shall see the end.” 
the reeds, the rock like island
arches, as the Dipper arcs ‘round
blinking the finality, 
through the silhouetted reeds.



The mythic form gives way to a narrative . I rocked back and forth from this narrative to more symbolic. Still do.