Wednesday, October 26, 2011

The Poem That Took The Place Of A Mountain


There it was, word for word,
The poem that took the place of a mountain.

He breathed its oxygen,
Even when the book lay turned in the dust of his table.

It reminded him how he had needed
A place to go to in his own direction,

How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,

For the outlook that would be right,
Where he would be complete in an unexplained completion:

The exact rock where his inexactness
Would discover, at last, the view toward which they had edged,

Where he could lie and, gazing down at the sea,
Recognize his unique and solitary home.

Wallace Stevens


A similar poem to July Mountain, which the below woodcut's title took a phrase from.

Friday, October 7, 2011

July Mountain by Wallace Stevens



 Vermont throws itself together.



                                                                 July Mountain
          We live in a constellation
        Of patches and of pitches.  
                                    Not in a single world, 
            In things said well in music,
        On the piano, and in speech,
        As in a page of poetry--
        Thinkers without final thoughts
        In an always incipient cosmos,
        The way, when we climb a mountain,
        Vermont throws itself together.
  
          Wallace Stevens

Saturday, September 10, 2011

He’d filled it uP

I have had this sitting around. I thought it was to continue but I think the continuation by now will be a new poem. It seems now my poem goes on saying the same thing, just saying it better.


He’d filled it uP

Part 1



by now, his life
The spiral bound books
among the dead spiders and
kerosene dirt, smudged the
moments time left, fading

he'd kept on spinning--
not really finished
reaching for some resolution
the final one?
Jack thought he would figure

it all out someday
though having lost
that belief, some truth
of moments
to suffice,

no unchanging ideal--
it is in the revolving
cycles to new places
taken then swerve, and
seasoned mythos

each moment died, as
we all die,
he saw a pathway there
In the SunfloweR
the artist standing on his box

gOd! wasn't
interesting so much
anymore he was looking for some
new name to give
some other perspective, to SeE

reality
a really what
might mean
kind of waiting--for
StilL, the elephanT Blare! the trumpets of Tibet

he liked that, were a metaphor
there was no occasion beside Himself
to sing
he was no professional
this milestone his 56 years

“til’ the end of the world”
his death bed got closer and
his idea of Giotto changed too
THE construction
of reality

two things-- juxtaposed
like our lives, and death
reconciling the two
he guessed you could say
there was just no reconciling

THAT would be a poem
a metaphor of a fragment
or have any end meaning
OFF NOW! to the villa Wall
that fresco, that American thing

he felt from under his mountains
he had turned it over and that BrighT
Striped SalamandeR was the
beginning and Indian glinT
the portrait of the great man haunted him

his poem was more than travelogue
not of business at airports
we'd driven far
but it was more a length
of pictograms into a

code of DNA like romance
the lineage of a quest
goings over
in revolution
comforting world

he was, I am, and evolved to be
there was a code or grid of mind
he saw it in the rocks above
the imaginings, before ten commandments
he felt not much for the fortune telling

no god in russian was ok
now he'd remembered the brand name,
Coke in the novel
he was in the world and wasn't sure of
a still moment, in the profane?

wrapped in his Indian blanket of diamonded
beauty which had its own order
The juxtaposition of music made everything
the mountain to the right
and the bush to the left, balancing

he saw it that way now
the way, a going on with and around the sun
the beauty of it all
he traced it and it became right
for a time then, it just had to change

a wriggling like the snake out of the egg
there was a deeper deep
and opposite feeling in death
his mother
he was writing after

aesthetic-ly so much was ruined
like listening to the radio before finding
out it has a point of view
decidedly Christia-- oh I don't want
this, to go there

free it seems--
late Picasso was amazing
to find once again
an older self than
that newer devil

that, Miltonic DaimOn a more interesting
figure picturing sex with an industrial
nightmare
that politic truly, evil
some real end to beauty

we find an island of fiction in the chaos
and dwell there
in the order we make
a presence that represents a loss, he said
“we should test this as we go”

feeling for surface
cracked and crumbling, building
again piecing together
what to make of this diminished thing
the fallacy

the pathetic human
all too human
stars revolving behind
a reflected life going over and around
the Egyptians pointed toward a fate

the China man, a meander
I'd forgotten the western-right, way ?
I'm just making it here
looking for a shape and line and
color to make

could it be
contained there
in the scribbling of the old Picasso,
I'm writing of a blank
I'm writing of a whole,

I seek still
not calling the phenomenon, One
waiting for--
older now he held so much
in his head packing and unpacking it all

The poet rode his bike down Houston Street,
a black tee shirt and a poem in his head
seemed all
he should be-- near he thought
maybe he could say it

he opened his mouth--the crossing
was some crux or
crisis
things jammed
together like leaves and sunset

ColosaLL sun and fragment
memory and Villa
into that ONE he still craved
at least here in the painting
although it represented what we longed

for in reality the ONE, sees
that made the cymbal clang, trumpet blare
As far away as Tibet
Professor Thurman was excited by
( but you should meet his daughter )

the idea arriving!
for cycling-- soul
blue comedian!
Art! to hear
then, redraw

again
he filed it away
for later-- another try
What to make with this Surprised FlavouR.
it was a life by now

he could be dead, at this age
All those other Poets were
and he heard others--
he liked the word transposition
it kept coming up

to transpose what he saw
into another form which reflected back
but was a thing in itself that sounded real
rather strange to fix an image into words
John Ashbery had said to me,

"oh the painting and poetry thing--"
Jack said everything seemed so very
convoluted and difficult
he wondered what I meant?
so did I

there would be a point
and a digression
from it, Abstract figure flying
into dream of landscape questing to
surface, it was realization

one sought
inner and outer resolution
the goings over
fixing to order
making of a poem

Villa whole and fragmenting, UmpH!
it repeated it, self made, another swerve
traveled back to the ole fish shaped
island to see what had changed
to continue his heaven

dreams of unknown
escaping profane
He, Ho!
major man at helm, hero on his head
SpAraGmOs

was the term he'd found on the heap
the rending apart, the hope
the coming down
of thought
into AmbivalenT, comic sublime.

a minor key
to coincide
with certain abstract
shapes
some striped, others plain.


Part 2


"Y’r not talkin' to anyone, kid"
he couldn't believe all this was for sale
chair thrown into the corner
he felt ok, with the cowboy hat
AgaiN, coming from the east

it would suffice
the black line completed it all
he was home
but still reaching for the Top Shelf
the bottle slipping

falling, tumbling
slow motion
the painting in a dream
Hero in a smudge, the “carving not a kiss”
everything BrOkEn

on the heaP
the serpents lair
here is where
he lives Here
nowhere and everywhere at once

a word out of the sea
whispered me
not to complete the thought but
to lead out into
the stars tracing a form

serpent flashing
a part for the whole
the name of one thing for something else
a turning
an emphasis

strangely, different
better than
"I sing a Heros head... "
we've been through the deconstructions
the universe of death

revolving around, down here
undid the summer
in flames
imagining the winter
constellations flying by

star spangled mind
of Achilles Universe
of winter circle
to deeper edge
she was the Universe

passing
the leaves
in sunset
he went west in ‘93
the joshua trees waving

through comic sublime
he tried
to put it all together
and was distracted by fashion
model of this world

he looked beyond to the sea
to live alone thankless
out there
he wasn’t dead yet, enough
sun revolving in that time-lapsed splendor

going down
silhouette and black
fades to scribble
rushing around to see it up--
I build from my foot

I order my head
repeating to symbol
I had this last judgement idea
revelations
unveiling a final truth

as man is the final resolution
of himself at least
but now everything was
just leant up against the wall.
waiting.






Part3


It was about putting
it all together again and
for all
it was the quest itself, arriving
he thought, everything leant up

against the wall
the flags waving
fate, freedom, and power
those idealisms waning in the sunset
Jack had by now some philosophical

idea that seemed reality
a procession was involved
It was a making, progress
of a he or self
Crispin was resolving an older order

new ideas were not what he needed
though they kept spinning ‘round
presenting themselves
in negative and positive interplay
Akilles had seen it long ago, the


reconciling of opposites
it made sense of it, all
this idea attached to a shape
to a surface, Shield
he gestured with his arms

it was all a narrowing down
we were all running fast not looking
down to see there was no net, no
nothing beneath
we were only human

a sad fact
we hid as well as we could, that
we died--
though it all had died long ago
in the winter mind, floating

through, he felt he knew a thing or two
that transcended or lifted him up
enough to keep on
a comic cycle into
sublime and falling

we used to just yell up--
then that wasn’t so cool any more
on the now busy street
Roy got a bell but it never worked
I was saying I wanted to try

it all from the Imagination
to draw just from there, his head
he made it up--
we used to say, the clap of hands
was like the surface, truth, there!

Why had that meant so much?
the outline, a shape, a stripe
"I see what you are trying to do," Alex would say
a kind of abstraction repeated, and repeated
the blank in our eye

we denied
a blind man seeing for the first
would mean something--
seeing black
an irony

we struggled beyond
a can of white and a can of black
was all he had
a new beginning, again?
new modern--

the new, seeming glut
of post-
he dove in, was soaking wet,
with his Shield
on his arm he emerged
he was still searching

for this abstraction, he discerned some
medieval abstraction-- CarniVal coloR
Waving, dancE
from a deep space, to a thing itself
"and would find myself more truly strange"

and clear
seeing in a new way
with no cliche
but archetype, I guess a cliche itself
they were all having dinner by now

business was being discussed
we were still at the bar
and soon gathered over at
Bill Wilson's.
Agnes Martin died yesterday.

I came back my own hero,
he came back from the war, would visit
the Modern
Chapel, he stepped aside to let them all pass
mom died and the dream

and what does that mean
being saved-- I'd never
have put that on you?
Yeah, yeah, and then go
have a few beers in the parking lot.

she said, "I'd be a very unhappy boy
asking all those questions."
though I've asked
all the questions
they were in touch

with the earth, at least
had no questions, just work
I read a lot, I said
there seems no sin in this poetry
just guilt of living

too well
too much
he was in the dark
dreaming his name
the poem was like strata of earth

1st and now 3rd part put down
like refuse and bones
layering
a drone over and over Mantra
repeating forms

of life and fragmenting to release
a new life from dream of winter
shimmer shake
there was a hero that cried that
he was dead,

that his adventure had failed him
and comedian genius
cartoon character
and hieroglyph
Oh, glad to be back out here
in the SUn

snowing, no clouds
stars bright
sitting having a quesadilla and jalapeno
over kitchen sink
ConstellationS revolving round

out the window
thinking about the size of the painting
that last judgemenT
thing, he had on his mind
the final reality

nearing, he hadn't been up to the
pRaYeR flags in a while
he watched the health
of the tree at the center
he stood up there reading his poem

the SSnaking river below
the cycles would lift him above
he was thinking on beauty
he was thinking on death
it was his mother

he thought about.
he was WobBbling down
the lane on his bike.
Another painting ahead--
It was GobBlinG him up.









Part 4


he would say he cared most
about the abstraction
the shapes and colors
that line which drew
the black and white lagoon

the depth is where he started
in mystery
which now the surface
that two colors make
in the beginning is a hint of the end

meeting, this reality, a religion
of sorts or poetry of
reality, he said instead of
this other God idea they all worship
Unless you meant what

was older, He had an idea
for that older unnamable
which was reality itself
all together, Jack here, a part
of that whole thing

the trumpet blare, like air raid horn,
now, here, the sun height
Orange square
depth in the PurplE square
all over form of stars

out there, in here
he’d said or painted it before
so many times, though
the leaves were ongoing
Chris said "fuck you if--"

well, I’m not sure about breaking it all
the leaves are enough-- and the
cartoon shape
no man shall see--
Odysseus

was puzzling it all together
that fast surface
he leapt out the window
cold stone sober
what he saw--

sufficed
a spot of time, here
repeated through a life
through a broken wind
painting the lives,

through which leaves hopped, skittled
and over days, hours, a moment
here--the brush of a fore head
warmed in sun, blond
that obscure glance

just looking for the outlook
which would be right
this poem that took the place
of a mountain
each day passed--

in adventure of some kind
sacred moments, which slowed
were looked for and recognized
a patch of blue
giving way

up there on the mountain
he saw the full moon rise
I mean didn’t they felt badly
knowing the moment had passed
they were teaching now

some relation
that the nature we had lost--
never to dance
with the daffodil
dancing

the wind
something I saw once.
everything dies everywhere
and is born of these moments--
this profundity of an inner

and outer reality which
blazed on the edge between
he wasn’t sure what that meant
he liked the reality seeming between.
what he meant by juxtaposition,

those paintings were finished
and now feeling at some height
he resumed, the stacking
more --? the two Henry’s asked
how much further?


say it more simply, Jack said
the different view now
The New, New, he was seeing through
the words now and there
wasn’t much more to say

it was the goings over
he was coming home
here was a garden,
he could manage
he held the idea

in his teeth
it was the flower
he saw in Zurbaran
there was a moment when
all metaphors became one

in the sun
he was thinking of the old certainty
even if not reality
what we expected from culture
what we made up, that fiction

he spoke of, saying it worked
over and over
it was artificial
any how
that heavy feeling had grown thin

and gave way to the light and air
that seemed
Well, felt good, after the weight
one friend doesn’t
seem to want to know

another made it up
satisfied with that.
I didn’t like the seeming bad faith
life was in its moments
too good to be true

At this point I was always, too
sincere maybe just too lucky
I was facing
THE new aUsteriTy plan
to ReducE

and Radical-IZE
I was trying to remember that
then find it in the paint
like the jumping out idea
they never got there

the figures they walked
on towards that vase
the island behind
the LeAvEs unfurled
in their positive and negative

aspects
tramping through the garbage
of fragments shored up to protect me
from an uncertain
ruin

of future moments
ongoing remnants, The great WinD
GO NoW! his friend exclaimed
shook him up from his GaRbAge can, and
it was gone, all changed

a different perspective
he was doubting the poem
not as good as the drawings
which came in similar profusion.
though there was little illusion in either

what it was pretty much
was what was there
would he want to hear it again
remember the shape
or idea

adventure of mind
he splayed IT-- out to amuse
wanting to feel it all meant something--
this wandering about.
Never really--

He underlined that
in a YelloW markeR
like out of the forest into
the meadow in the sun
it was a figure catching butterflieS--

never made, Achilles, was in the desert
he went on talking
of dialectics and Hegel
he’d married the woods to the flower
and superimposed a Orange Square

repeating Heaven
he remade it simpler
to see it aLL at ONCE
so he made these bluebird houses
it all had to do with each idea

interpenetrating
the depth and the surface
is what Jack wanted at ONCE
right NOW!
who he, we was

and what hE, wE made
he was starting to see the difficulty
in equating the experience
and continuing
to hang onto the idea

of a separate ART
there was an abstraction and then, the image
kept jumping the gun
and who cared except his inborn conscience
Crispin knew it from the beginning

the flat design made an icon
of the idea's space beneath
Did he say that?
This is finding it in the paint
as they say. They were betting

on the market and he lost interest
his wealth was buried
would they find iT, that
He missed Christophe
and that, Grand Idea of Art!

and the extravagance
that seemed plausible
for we were on the cusp
of the new time
there was still an ideal

there, in the Newman
in the Indian’s blanket
It felt like America had a belief
at least an idea of
the sun was coming up

again, and the figure arriving
It was a long story, now
lengthening, snakinG along
it needed an image to accompany
Jack, the two Henry’s-- he had better keep busy

make that painting which would
remind him--
why he couldn't remembeR
to keep-- Busy, busY
Achilles was out there, still

far in the distance
in the fence post ticking depth,
He was painting the sunset.
He was late and it was getting
cold, and

soon it would be dark, and
He’D be painting
The Stars, waving with his arms--
twirling ‘round

the StarS.

Wednesday, August 31, 2011

Big Sur

from clouds, leaves, waves. 1996

Yosemite, with stars at night,
an unearthly cold,
constellations like snow,
closer to original stories
the falls and clouds, rain and snow,
high above, then...

flowing to a sea, the Big Sur,
waves and distances
teetering on an edge
Pfieffer Beach, a rock, splash-- a wave.
Painting the sun,
going down in the Pacific.
A wild place,
cold, windy and disorienting,
later, rocking to sleep, feeling
as if having stepped off a boat.

Seeing Tioga pass at night,
polar sky to grey. Stars, a frightening
cold, silence and distance,
solitary, peeing at night, looking up--
back in bed, warmer, a familiar Dipper
out the window
shining through a darker pine.

A voyager in wide spaces
on a Western Jaunt,
into Blue Imagination---
distant Yosemites, Surs...
Walt, this moment, in the Sun.




Big Sur, a home for now...
puttering a bit, here
among the Surs, diving to the ocean
down on the beach, the rocks, waves.
A sunset from the coast road.

“Adventures and Wonder”--
scrawled on my paint box, enthralled!

A fantasy it seemed,
painting... a crack--
a tree... crashing down,
alone in the woods... I was painting
the overlooking view.

Hiking again to the falls
and painting them at closer range,
doing this with my friend.

Western Jaunt,
the space of the Imagination
the American Adam
starting out
Adventure and Wonder.

As the end must be made,
for a new beginning.


from Road Movie 2000

ARTIST
dressed in black, obviously lost-- wild
in thought and deed, he had made a
sappy painting of the view, the front yard,
the Big Sur

where Jack Kerouac groped from the highway
up the creek bed, drunk and wild
'the search for soul' wearing thin by this time
in alcoholic hero,

none of these goings on will be broadcast
on GOOD MORNING AMERICA
the confession, the spots of flesh,
the destruction, in drugs, sex, the rock and roll--
it adds a dimension

the dark rumbling,
lost in, rumbling, but to believe--
is to crawl out of the deep. to a shallow hope
is to look up-- the grimy light-- these directions of up
and out, have stung me.

Friday, August 19, 2011

revisiting Road Movie, 2000

from Road Movie,
a long poem, 1996--2000


a blur out the window
but here Monument Valley--
take a moment, under this crystalline sky
you have never seen

such original sight
the red rock and blue sky, yellow flower
held up
Indian flavor
so new? or so very old,

neck relaxing, forgotten anxieties
of travel and in suspension, in the entertaining
ever-changing scene
brilliant light edged candy dotted hills
sinking into dark, the night sky and again I am faced

with the dying into emotion,
of letting go into that space
would anyone want to be here,
there, is nothing here?
I want to go home,

a death wish?
a feeling so very sweet, with the wind on my face
want that death should be this
so very easy and inviting--
but no this is life and the struggle is

delicious, this angst
describing the depth, of love
the grasp it has, feeling drugged
feeling apart from-- in all this self consciousness
and going on

the urge, the act of continuing
the unconscious
being, a part of, dissolved into, a feeling of rude--
awakening
into reality

of sublime
unity with
what is beyond
final merging
to one swirl

of star light
the whole cycle
at once
the stripes
of seasons

twirling
Sufi like
part of--

the Indian flute reaching the far distance
creeping into my soul, feeling as though I lived there
Big deal, some landscapes I made--
on vacation-- what do I care?
there is a pile of them on the shelf

lined up in a calendar sequence
the silence, resisting the silence
giving in to it, all right, maybe, you won’t disappear,
if I did its all right, no flowers to water,
no dog to feed, kids,
the paintings--

Saturday, April 9, 2011

Thursday, January 20, 2011

Cricket Poem

Or from Under His Mountains

He was out painting the fish shape,
The reeds came as thoughts
in a sleepless Night,
The cold kitchen table
A scent here,
A touch here

Mother and death, here,
the sea, here
Touch touch,
here here
Tally was-- Here,
now! though It whispered

the Mother, and Night
The Death and the Sea,
whispered and repeated
The beauty in the order,
in the red rust reeds

Flowing in disposition,
flown Of season
And light, Cycling from
the moments passing--
Revolved and around, The stars-- blazed
In the shadows, If you saw them

What made him, He was,
And the stroke
Thought and hatch,
And over hatch, Was his word
Saying it, Silence, Shh
In the rustling, not here,

The glimpses--
Wind whipped, Diamonded surface-- pink tint
Invigorating, and returning,
The walk back Inhaling breath, And exhale
of relief,
Back in the car, home,

on a winding road
Watching for deer.